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A Fender Vibralux twin, and a Ross 40w, both with 12″ loudspeakers As said, guitar amplifiers are manufactured in two main forms. The “combination” or “combo” amplifier contains the amplifier head and guitar speakers in a single unit which is typically housed in a rectangular wooden box. The amplifier head or “amp head” contains the electronic circuitry constituting the preamp, built-in effects processing, and the power amplifier. Other jacks may also be provided, such as an additional input jack, “send” and “return” jacks to create an effects loop for connecting electronic effects such as compression, reverb, etc. Kustom bass amp – amp head and speakers, watts RMS, two channels, two 15″ speakers, Some amplifiers have a line out jack for connecting the amplifier’s signal to a PA system or recording console or to connect the amplifier to another guitar amp. Players use the line out to connect one guitar amplifier to another amplifier in order to create different tone colors or sound effects.


A Our in house guitar tech has inspected, tested, and cleaned all of our instruments on site prior to shipping. All of our instruments are guaranteed to be fully functional upon arrival. Our Mission Our team of musicians fuses the spirit of the local guitar shop with the convenience of the web by creating a reliable and worry-free buying experience.

How the “Hand Stamped” Date Code Works. The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month.

Thread Starter These amps were originally intended for use with Jazz guitar and accordion players. Back then they were building these to stay clean at small club volumes and they never considered some crazed rockers might push them into distortion. Many of the original speakers failed and became a warranty issue because the speaker was only rated for 15 watts, which was fine at low volumes, but these amps deliver closer to 28 watts wide open.

The Reverb and Tremelo on these amps is the most desirable feature and the sound is exceptional. These amps saw way more pro studio time than you might imagine and have been a secret weapon of sorts for many years. During the initial production years some amps were powered by 6V6’s, most by ‘s and a few with ‘s The pre section tubes changed a bunch too with some amps loaded with octal pre amp tubes and others loaded with gainier 12AX7’s and mixes.

Tag: sano amps

Hull would grudgingly acknowledge rock’n roll music, via advertising copy for Ampeg’s “Supercombo” bass amp, introduced in The closest they came to a rock’n roll endorser at one point, was by way of Joe Long, a left-handed bass player of the Four Seasons, who played the company’s Horizontal Bass. This was further compounded by the one chief competitor Hull disliked the most; Fender, as they continually bested Ampeg in overall sales.

Designing v-T Amplifiers – Ebook download as PDF File .pdf), Text File .txt) or read book online.

Reverberocket These amps vary hugely in tone. The brights out of the RR are easier to find without hitting the icepick sound, which shows up all of a sudden on the Gemini. Power Toss up This one stunned me. I was sure that the 30 watt Gemini would eat the 18 watt RR for lunch. Features Tie Both Ampegs have an awesome reverb and vibrato. Despite the fact that the Gemini has separate bass and treble controls, I found it easier to dial usable settings on the RR- this stunned me and I have to give this one to the RR.

The Gemini II has two distinct channels with separate tone and volume controls and 4 inputs. The RR has 3 inputs from one channel, which is also very usable. Because of the two channels I have to give the contest to the Gemini but only marginally. Style Tie Both are the blue diamond look with the brown speaker grille and the styling is almost identical. The knobs on both are skirted chickenheads. I kind of like the RR because the control face is on the top but not enough to call a winner.

Ampeg Heritage Series R-12R Reverberocket Guitar Combo Amp, 30 Watts

The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code.

The remaining 3 or 4 digits are the date code.

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B R bass amp Recent instruments after s In the mid- to late s, Ampeg reissued the Baby Bass, the Horizontal Bass, [4] and the “See-Through” instruments, as well as wooden instruments based on the “See-Through” design. Ampeg Portaflex Main article: Ampeg Portaflex In the late s Jess Oliver invented [4] a combo amplifier with a chassis that could be inverted and tucked inside the speaker enclosure to protect the vacuum tubes.

This combo bass amp was introduced in as the Portaflex , and remained a popular choice through the s. Characteristics A particular characteristic of Ampeg amplifiers in the s is that they were designed to be used for jazz and other types of music where distortion was not sought after — as Everett Hull had a major contempt for rock and roll music, and his hope that it being merely a “passing fancy” never materializing, had merely manifested his dismissive attitude towards the genre.

The closest they came to a rock’n roll endorser at one point, was by way of Joe Long , a left-handed bass player of the Four Seasons , who played the company’s Horizontal Bass. This was further compounded by the one chief competitor Hull disliked the most; Fender , as they continually bested Ampeg in overall sales. Hull would grudgingly acknowledge rock’n roll music, via advertising copy for Ampeg’s “Supercombo” bass amp, introduced in Reverberocket Ampeg R R Reverberocket The Reverberocket would become another exception to that rule, as an amplifier with 6V6 tubes which sounded “Fendery” and did break up in a way that rock and roll players could use.

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Vintage 1960s Fender Super Reverb Combo Amp

Input impedance ohms, output impedance ohms, long decay 2. See explanation of Accutronics reverb tank numbering system here. See a chart which lists AC impedance and DC resistance measurements for reverb tanks here. View the 2-year warranty details here. Input impedance ohms, output impedance ohms, medium decay 1.

dating fender transformers, speakers & potentiometers using eia codes EIA (Electronics Industry Association) Source-Date Codes: Electronic components such as transformers, potentiometers, speakers, and some capacitors are often stamped with a date code, which indicates the manufacturer and the manufacturing date.

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Designing Vacuum Tube Amplifiers and Related Topics Written for and about tool-capable guitarists who. can use a pocket calculator With gratitude to my Uncle, Charles S. Frazier, and the friend of my parents, Robert L. Tabor (MSEE, deceased), for stimulating two lifelong interests.

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Ampeg Reverberocket R212R

October 2, In Fender Musical Instruments changed the cosmetics, and in some amps the circuits, of their amplifier line. The new silverface amps were ready for summer NAAM to promote the new look for the next year’s models. The silverface “drip edge” was born. Ampeg must have followed the lead and felt it was time for a change also.

How the “Hand Stamped” Date Code Works. The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month.

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